Japanese artists Kohei Nawa displayed several new works at Hong Kong’s Pace Gallery.
The PixCell Series
The mixed-media sculptures in Kohei Nawa’s PixCell series explore one of the artists common themes—the relationship between nature and artificiality.
This sculpture of a deer—PixCell Fallow Deer—was created by covering a real taxidermied deer with transparent glass spheres. Viewed from a distance and brightly lit, the spheres on the surface give off a bright, radiant glow, giving the deer the otherworldly feel of a sci-fi crystalline animal (think of the crystal foxes of the Star Wars universe or a hybrid creature from the movie Annihilation).
If you get a little closer to the sculpture, the animal within starts to become visible, but its shape and colors are distorted by multiple spheres of varied sizes.
Up close, the spheres act like magnifying glasses, allowing you to see fine details such as individual strands of hair.
To create these sculptures, the artist searches online for taxidermied animals being sold or auctioned off.
The word ‘PixCell’ is a portmanteau created by the artist from the words ‘pixel’ (the smallest unit of a digital image) and ‘cell’ (the smallest unit of a life-form).
The exhibition also included a double-headed deer (mounted on the wall like a bizarre hunting trophy) and a rabbit.
The Throne Series
Also included in the exhibition are three sculptures in the artist’s Throne series. These elaborate sculptures deal with the artist’s concerns about humanity blindly following advancements in computing, science and artificial intelligence. The thrones represent a power that entices us to claim it while at same time threatening to overwhelm us.
The golden sculpture in the middle is based on traditional designs found in portable shrines and festival parade floats. This throne is unoccupied
In the middle of the sculpture, there are two metallic spheres, one facing the front and one facing the back. These represent the eyes of the world, with one looking toward the future and the other looking back on the past.
This sculpture is a smaller version of one that was displayed in the glass pyramid at the Louvre. The color is partly inspired by the gold-leaf trim of the museum.
In each of the other two sculptures, the throne is occupied by a tiny childlike figure in what looks to be a spacesuit.
If advanced technology is a throne, does humanity sit on the throne or it subsumed within in? Will we control technology or will it control us?
The Elements Series
The exhibition also featured nine paintings in Kohei Nawa’s Elements series. These are silkscreen and acrylic works that have dark patterns on even darker backgrounds. They give off a sense of mystery and the unknown as ambiguous, amorphous shapes emerge from and recede back into the darkness.
One thing about this artist is that his works are quite difficult to photograph! For example, the bright light reflecting off of the PixCell animals tended to blow out the highlights. Therefore, I reduced the exposure when shooting the images. When I was editing the photos, I left the tones a little darker and warmer in order to better bring out the shapes of the spheres.The actual sculptures, when lit up, are brighter.
Similarly, the photos of the dark paintings are not quite as dark as the paintings are in reality.
Visit the artist’s website: kohei-nawa.net
- Which work do you like best? Why?
- What worries do you have about future technology?
- Can you think of a metaphor for one of your worries (e.g., an attractive throne)? How could you then represent this metaphor in art?
Find something in naturea leaf, a branch, a rock, a flower. Transform it by covering it or merging it with something artificial (e.g., thread, cloth, plastic, glitter, etc.).
~text and photos by longzijun
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